Centre Pompidou

An enormous, rectangular superstructure composed of steel and glass, contains six storeys of large column-free spaces. In order to go to every floor of the building, tourists use the escalators in the "caterpillar," a wide tube that runs diagonally through the Centre Pompidou Architecture. Because the Pompidou Center's structural, mechanical, and air-circulation systems are integrated into the building's facade, the structure is noted for its "inside-out" design that gives enough space for cultural attractions and art galleries inside the building.

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Collections at the Pompidou Center are inspired by the significant artistic trends of the 20th and 21st centuries and equally engage the varied art practices of the younger contemporary artists of the present day. The museum's Visual Arts collection includes modern sculptures; scenes from the historical era; informal art; thematic halls of avant-garde art; and several three-dimensional paintings and sculptures.

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The Masterpieces are exclusively placed at the 4th and 5th levels of the building to give an extraordinary experience to the visitors. Tourists are captivated by the iconic works of artists from the twentieth and twenty-first centuries, which raises awareness of contemporary art genres. Witness the art pieces of Robert Delaunay's Manège de cochons, Frida Kahlo's The Frame, and enjoy the beauty of modern art.

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The French National Museum of Modern Art's Documentation and Research Center houses the Kandinsky Library, a collection of visual arts from the twentieth and twenty-first centuries. Over 18,000 printed works and other types of printed reproduction are included in the collection. These include books of prints by artists and prints, photo albums, and artists' reviews. Book objects, leaflets and posters are also a part of this exclusive collection. In addition, it preserves the museum's documentary collection, manuscripts, printed materials, photographs, films, and videos.

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The Drawing and Graphic Art collection at the Centre Pompidou was established in 1975 and contains more than 20,000 drawings and prints. A modern portion (1905–1960) comprising works by Victor Brauner, Marc Chagall, Natalia Gontcharova, and others has been added to the collection, which was previously on exhibit at the Jeu de Paume and the Musée du Luxembourg. This is a must-have experience for tourists to experience these exceptional drawings at the Centre Pompidou.

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Since the opening of the Centre Pompidou in 1981, the photography collection housed in the Musée d'art moderne has been around for over four decades. With over 45,000 prints and 60,000 negatives, this photography collection now ranks among the largest in the world and spans the entire twentieth century. Among its holdings are works by European avant-garde artists (Surrealism, Nouvelle Vision and Constructivism), but it also prioritizes contemporary art, which has made up a substantial portion of its recent acquisitions since its founding.

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The Centre Pompidou is home to one of the first collections devoted to studying cinematic media like film, video, sound, and digital. In order to promote heritage and culture through new and experimental media, this collection was started in 1976 when the Musée national d'art moderne was relocated to the Renzo Piano and Richard Rogers-designed building. There are nearly 2,600 pieces in the new media collection, including experimental films and art installations by visual artists, from 1963 to the current day.

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The Centre Pompidou organizes significant exhibitions on a regular basis, including monographic, historical, and thematic ones. Visitors can see and appreciate the ever-changing world of modern art and current production through these broad exhibitions. In addition, this location has hosted numerous significant temporary exhibitions of modern and contemporary art. It is also possible to experience these temporary exhibitions through virtual tours, augmented reality and interactive experiments via the internet.

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More than 1,600 glass photographic plates and original prints by Constantin Brancusi are on display at Brancusi's Studio in Romania, including 137 sculptures, 87 bases, 41 drawings, and two paintings. According to a legend, Brancusi spent the majority of his career in Paris, where he created most of his work from 1904 until he died in 1957. He left his entire studio to the French government in his will. In 1997, a replica of this was built on the plaza next to the Centre Pompidou to store his collection.

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A rectangular prism shape structure with glass paneling and steel pipes gives an exoskeleton look to the building. Because of this, the towers' sides became translucent. So, the higher you go in the skyscraper, the more stunning the views of Paris's 4th arrondissement become. So, if you are planning to visit this amazing place, Don’t forget to go to the rooftop.

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The building's architectural design is unique in that the building's functional components, such as air conditioning, electricity, water, lifts, and escalators, are visible on the building's façade via color-coded pipes for ease of maintenance. Each hue represents a different type of pipe: plumbing (green), electrical (yellow), transportation (red), and climate control (blue).

It was built in such a way that each of the six stories, as well as every 7000 square meters of the structure, may be reconfigured to serve a variety of functions. An innovative idea for a national museum of contemporary art, where the building's structure was not determined by its design but rather by its function.

The "caterpillar," a large escalator tube cutting diagonally across the building's front from the bottom to the top floor, is the building's exterior showpiece. It is an escalator for tourists, which looks like an industrial sophistication on the building's facade.

An ample open public space in front of the Centre Pompidou serves as the building's main entrance. Because of its location in a densely populated urban region, the Centre Pompidou's design prioritizes connecting with the surrounding public space.